Copy editing (academic)
Copy editing and substantive editing (literary, memoir, poetry)
![]() | ![]() | (Cover coming soon) |
Horses in the Sand, a memoir by Lorrie Potvin | Stations of the Crossed, poems by Carol Rose GoldenEagle | Carving Space Indigenous Voices Awards Anthology (Edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon) |
Inanna Publications | Inanna Publications | Penguin Random House Canada |
(Cover coming soon) | ||
This Place Is Who We Are: Stories of Indigenous Leadership, Resilience, and Connection to Homelands by Katherine Palmer Gordon with foreword by Dallas Smith | ||
Harbour Publishing |
Copy editing and Writing (business, blog, web, zine)
pando blog, writer/contributor. Sample: “Prevent employee turnover by investing in clear career progression pathways“
Indigenous Editors Association: Strategic Plan 2022
Destination Toronto. Samples: “7 Can’t-Miss Indigenous Events Taking Place this Summer” and “30 Iconic Toronto Activities to Enjoy with the Kids“

Owning Ourselves – The Mamawi Project / Red River Echoes
Proofreading
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All Roads Home: A Life On and Off the Ice (Author: Bryan Trottier, Foreword: Jesse Thistle, with Stephen Brunt) | The Lost Journals of Sacajewea by Debra Magpie Earling |
Penguin Random House Canada / McLelland & Stewart | Milkweed Editions |
Sensitivity / Inclusivity Reading & Other Projects
Alicia has worked on sensitivity reading, book proposal reviews, Land Acknowledgements, and a definition of Métis for publishers like Greystone Books, Chronicle Books, Milkweed Editions, and Simon & Schuster, as well as directly with authors.